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Tag Archives: soundtrack
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Synthcurious vs CET
A reminder that it is our rescheduled Live Sound Installation at CET in Coventry tomorrow. The Synthcurious curators will be joined by local musician Tim Seeley for what promises to be a truly unique sonic experience.
The performance will start at 12 noon with a 440Hz tone. After that, anything is possible, as the event will involve live modular patching and synth programming.
Synthcurious vs CET
Our event at CET has now been rescheduled for Saturday 24th February.
Synthcurious and friends will be performing a Live Sound Installation at the CET building in Corporation Street, Coventry.
Set in one of the print halls of the former Coventry Evening Telegraph building the event will be an improvised experiment using analogue synthesisers to exploit the acoustics of this unique space.
Apologies again for having to reschedule this, but it was beyond our control. We look forward to seeing you on the 24th for what will be a unique sonic experience.
Deliaphonic Artist Profile // Jonny Trunk (DJ) presents ‘Circle of Light’ film.
Jonny Trunk – DJ set
Jonny Trunk is an English writer, broadcaster, DJ, producer, and owner and founder of Trunk Records. Trunk Records is a British label that specialises in film, library, and early electronic music releases.
Jonny Trunk presents a very rare screening of ‘Circle of Light’ film.
Circle Of Light is a 32 minute colour film shot in 1972 by Anthony Roland, featuring the photography of Pamela Bone, with a groundbreaking soundtrack by Delia Derbyshire and Elsa Stansfield.
Bone travelled extensively in exotic locations across India, including Sikkim and Kashmir. On returning home, she began working on a conceptual slide show of her travels and transparencies, one that began to slowly morph over the next seven years into a show of slides influenced by travel, the seasons, children, still life studies and landscapes. The working title of the show was Circle Of Light.
Her slides and techniques were unique; she’d blow up images to use as textures behind other images, she’d put black and white images behind colour ones. The results were often extraordinary, baffling, and deeply engaging. She took lessons in sound recording too, but things took an unexpected turn in 1969 when she was introduced to Anthony Roland by art critic Marjorie Bruce-Milne. Together they began work on Circle Of Light.
For a soundtrack Roland commissioned Delia Derbyshire (moonlighting from the Radiophonic Workshop). They had recently met via designer Lucienne Roberts, and with the help of artist Elsa Stansfield (pre their founding of Electrophon Studios in 1973) Derbyshire brought together numerous elements for the soundtrack.
The finished film has no narration apart from Bone’s introduction, and focuses intensely on her unique glass transparencies. The narrative is controlled by Roland’s signature slow tracking style; with calming drifts across glorious, intense images of beaches, trees, forests – landscapes and still lives too, with gradual mixes and all perfectly accompanied by Derbyshire’s collaborative electronic soundtrack with effects.
Deliaphonic Artist Profile // Howlround
Howlround create recordings and performances entirely from manipulating natural acoustic sounds on vintage reel-to-reel tape machines, with additional reverb or electronic effects strictly forbidden. In an age where one can create all manner of electronic music with a simple swipe of a mouse, Howlround prove not only how much fun is to be had in making things complicated again, but conversely just how little effort is sometimes needed to create a genuinely uncanny and beguiling sound world.
‘Manually manipulating reels that feel like they’ve only recently been exhumed, the duo weave a dense tapestry as haunting and immersive as Delia Derbyshire and Brian Hodgson‘s Legend Of Hell House Soundtrack’ – The Wire, Nov 2016.
SC16 // ARTIST FEATURE // I SPEAK MACHINE
Ahead of their shows supporting Gary Numan, we are delighted to welcome I Speak Machine back to Synthcurious, after their amazing show last year.
I Speak Machine are vocalist and self confessed synth-nerd Tara Busch and filmmaker Maf Lewis. Together they make brooding soundtracks and horror/sci-fi films. Their short films include the UK filmed sci-fi thriller “The Silence,” ghost horror short “Gagglebox,” and their newest creation, “Zombies 1985” – a blood-drenched period zombie piece shot in Los Angeles. The soundtrack to “The Silence” was released in 2015 on Lex Records on limited edition vinyl and digital download. I Speak Machine are currently working on the groundbreaking graphic novel and feature film “STRATA,” with comic book legend Tommy Lee Edwards, Lex Records, Penguin/ Random House and Google.
Add to this the setting of The Tin, a unique chance to see their set in the old coal vaults, and you get a audio visual experience you won’t forget…