28 pieces of music and recordings inspired by garden bird song. The website is now live…
In Tim’s own words…
“The idea within the music was to create the feeling of the wings movement. The energy behind flight for a bird. I want the listener to have the feeling of flying. I want to convey the feeling I get when geese fly overhead. The energy and effort that the body experts. Each wing forcing the air while the body makes gentle sounds like an accordion. I have ignored many aspects of time and tempo. Inspired by Satie to ignore and eliminate the bar lines. There is no strict tempo, no pulse, no defined time signature. The birds sing all together but have little time or inclination to listen to each other much. As they are all too busy shouting for their own space in the world. The dawn chorus is a melee of songs and rhythms from all our garden birds. Some have flown hundreds of miles to be with us. Others are our native garden friends like the Blackbirds and the Robins. There is no real time signature in this piece. It is all Tempo Rubato, with no end. Just the same way a bird would sing. The phrases are sometimes short and sometimes long. Some parts are in 12/8 others in 3/4 some are 9/8 and 4/4 or 5/4. All together they make a polyrhythm reflecting the birds at the dawn chorus. As no one teaches the birds time signatures or key relationships, they just sing over each other repeating themselves.
I followed in the footsteps of Erik Satie by ignoring bar lines and conventions of time too. Nothing really has a time signature in the piece. Everything individually has, but over all it is a chaos of polyrhythms. This is again deliberate as I wanted to simulate the growing of the dawn into the light and then evaporating away like a dream. Also birds have no sense of time signatures when they sing together they just sing. I didn’t want a set rhythm or time to the piece because birds don’t sing to a set pulse, nor are they conducted in anyway to be together musically. Despite this it is a beautiful wonder of nature. They are not thinking about 4/4 or 6/8, they just belt it out. The melee of music that is the dawn chorus is everyone singing all the favourite melodies at once. All the varied rhythms and lengths, everything predefined by what the birds can utter. But all as one too. I wanted to recreate musically the sound of birds flying. The effort and strain they exertion for each moment of flight. Along with the feeling of oneness too.
The EMS Synthi AKS and Korg Delta were loaned by Ian Campbell at synthcurious.com, he also added some fine touches to the big wing sounds himself.”
Architect, Sebastian Hicks, discusses the Chapel of Many installation.
Synthcurious will be joined at tomorrows event by local musician, Tim Seeley.
This is not the first time we have collaborated with Tim. He played a key role in The Tin Music and Arts and Synthcurious schools project for the Deliaphonic event, devising and delivering the in-school sessions, as well as playing a central role in the performances at Coventry Cathedral on the afternoon of the event.
The visuals for tomorrows event will be provided by Tschock.